Another calligraphy piece now on display in my solo show in Missoula

“Unusual Words for Unusual Times”. Acrylic inks, pointed brush, metal pen. 18″ x 26″.

This is one of the calligraphy pieces in my solo show at The Artists Shop. If you happen to be in Missoula, Montana, this month, go by and see it.

Each of the words in this collection apply in some way to these pandemic times.

2021 roundel calligraphy – Ecclesiastes 3:1-8 at The Artists Shop

“To Every Thing There Is A Season” – gouache on paper, 24 in x 24 in

This is one of my pieces no hanging at The Artists Shop all month long in downtown Missoula, Montana. I’ll be there September 20 & 21. I’d love to see you there!

I have done this basic layout several times since the first time I tried it in 1983. It’s a kind of capstone piece, I guess.

In 1983, I was a rank beginner, and completely self-taught at that point, and I believe it is the first “finished” piece I ever did. Just for, I don’t know, entertainment, here’s an image of that first piece. I’m pretty sure it’s a scan of a photocopy of the original, which I gave to my mother way back then. So young and ignorant I was! But so enthusiastic, and I remain so after all these years.

I believe I did the original with a Schaeffer fountain pen (ack!) on the then-current version of Paper for Pens by Pentalic. The pad of paper was 11 in x 14 in, so this was about 10 in square in the original.

Come see a solo exhibition of my calligraphy in Missoula during September

The postcard for a solo show of my calligraphy at the Artists' Shop in downtown Missoula

I’m so honored to have another solo exhibition of my calligraphy at the Artists’ Shop in downtown Missoula. Thank you, Ann Franke, for all your support! Ann will be hanging this show, and I’m looking forward to seeing what she does with such a disparate collection of pieces.

If you’re in Missoula during the month of September, please stop by. If you do stop by, please let me know your impressions. Unfortunately, I can’t attend the opening reception on September 3. But I’ll be there sometime after that date to see the show.

During the month of September I’ll be posting a few of the pieces here. So if you can’t get to Missoula, watch this space! As you can tell from the postcard, the show will, at the very least, include a broadside version of “Scintillate, Scintillate”. A manuscript book in this edition will be on display as well.

It’s been a tough year. I can tell from the commission work.

Roman bookhand and sumi ink on watercolor paper. About 11″ x 14″.

Yes, it’s been tough. Theodore Roosevelt’s famous quotation, “The Man in the Arena” is really resonating these days. I recall only one commission to letter this quote in the past 30+ years. And yet I’ve gotten three requests for it in the past six months! This latest one was gender-adapted for a client who wished to give it to a woman. And that’s appropriate: in many ways, women, especially those with school-age children, have born the brunt of the past 15 months, in the arenas of employment, child care, and housework.

My artist book “Can’t Not Look” has sold!

I’m so pleased that my artist book, Can’t Not Look: Democracy in America, has sold to the Bainbridge Museum of Art. I’ve written about it here, and I had contemplated making three of them. I had planned to update the tweets foldouts for two successive eras of the 45th presidency. Books 2 and 3 were completed except for the tweets. Those tweets were difficult enough to write in the first (and now only) book; now I find myself even more unmotivated to write them out. I also completed a camera-ready print version, but have made no move to get those printed. Here are images of a few more pages of quotations by our first 44 US presidents.

Can't Not Look - unfinished spreads
Unfinished manuscript book series – a few spreads.
Can't Not Look - unfinished spreads
Unfinished manuscript book series – a few more spreads.
Spreads from the camera-ready version of a contemplated commercially printed version.
Can't Not Look - unfinished camera-ready version
More spreads from the camera-ready version of a contemplated commercially printed version.

Teaching Ben Shahn -ish letters

My exploration of Ben Shahn letters. Click on the image for a closer look.

I enjoyed teaching Ben Shahn lettering to members of our local guild this month. Well, my take on them, at least. Clear examples of Ben Shahn’s actual lettering in this style have not been gathered into a book that is easy to acquire. In The Complete Graphic Works of Ben Shahn, there are some small images and one large but very faint image.

The renditions of contemporary calligraphy teachers vary widely. I think this is because the way the letters are put together with one another is as important as the letter forms themselves. Ben Shahn delighted to nest letters together, especially “LL”, to enclose one letter wholly or partially within the preceding letter, and to allow adjacent letters to sometimes share a single stem. It is a gently playful hand that is a delight to write.

We also explored the properties of Bister inks, which are similar to walnut ink but made in a range of colors.

Whole lotta expressive mark-making goin’ on

Fountain pen on Arches Cover
Some final musings at the end of Donna Tartt’s marvelous book, The Goldfinch. Written with a whelk shell and walnut ink with my non-dominant hand on Arches Cover.

Work done in Brody Neuenschwander’s online class, Series 3, “The Expressive Expressive Line – Part 1”. Here are two of a lot of pages of mark-making.

My work in the GBW traveling exhibit “Wild/Life”

“The Mind I Love” — Inks and gouache on paper, 12 x 16 in.

I’m pleased to have this piece, titled “The Mind I Love”, accepted into WILD/LIFE. Hosted by the Guild of BookWorkers, this exhibition will travel to venues across the country from Summer 2021 to Fall 2022.

I enjoyed the work we did in Series 1 of Brody Neuenschwander’s online classes (see this post). So much, in fact, that I continued experimenting with it, and this piece is one result.

Once more – with color

Gouache and sumi, Brause Ornamental pen nib and 00 brush, Arches Text Wove, about 10 in x 8 in.

I’ve enjoyed the work so much in Series 2 of Brody Neuenschwander’s online classes that I did another, this time with color in the counters and 3:4 portion of rectangle.  Compare this to the monochrome square figures in my last post.

Actually, I gathered up all the bits and pieces of work/play in this seal-script-inspired vein and was shocked at the height of the pile. I can see a number of applications for this style of working. So much fun!

Inspired by Chinese seal script in Brody’s online class

#5 Brause Ornament nib and gouache on Rives BFK, about 12 inches square. With a hint of another bit of homework in the corner.
#5 Brause Ornament nib and gouache on Rives BFK, about 12 inches square. With a hint of another bit of homework in the corner.

Series 2 of Brody Neuenschwander’s online classes is inspired by Chinese seal script. I am loving this shift in thinking from fairly uniform letters with discreet spaces between words to separate word bundles. It’s the difference between a grass prairie and tiered landscaping. Or it can be. I’m fascinated with the way the way of working shifts me toward thinking illustratively. For instance, the word “round” is enclosed by the “O”. And in the corner bit, the word “seed” begins to look like a pea pod. And what a change this improvisational construction is from standard formal Western calligraphy, where the letter placement is fore-ordained!

Click on the image for a much larger look.

If you missed my post on the first series, check it out here.