The penultimate book in this 2015 edition, Piano Accordion, is off to another book exhibit, this time in Ellensburg, Washington, at Gallery One.
The first of a variable edition of 3 manuscript books is complete and available for sale. Can’t Not Look: Democracy in America is a collection of quotations from our presidents in three sections: “Civility & Comity”, “Ethics & Equality”, and “Dangers to Democracy”. Each section contains at its center a fold-out quadruple truck of our present leader’s tweets on the same subject.
I have nearly completed the second and third books, and am still working on the camera-ready images for a short-run print version.
This book is difficult to photograph, I’m afraid. The paper is vintage handmade John Green: “Dover Castle”. Here are a few images.
I am so pleased that I have finally finished the last of Scintillate, Scintillate, a variable edition of 12 manuscript books. I finished the first nine back in October. You can see a photo of one of the books, open, here.
Long time no post! We’ve been traveling, and I’ve been Instagramming, and … well, honestly, inspiration has been sparse on the ground. Anyway, remember this artist book I was working on? I mostly finished it shortly thereafter, but never posted any photos. I had a few binding chores left on the last couple in the edition, and I worked on that recently … which reminded me that I had never properly photographed it. Here are some images from the book.
A variable edition of 12 manuscript books; 4 are still available. The books are small at 1-5/8 in x 3 in x 1/2 in, and lettered in gouache with a metal pen.
I realize that, although I posted process photos of my last book edition, I never did post photos of the book itself. (I forgot to photograph the entire edition before it dispersed. Gah!)
Umm, I seem to have misplaced those photos. But … I do have more process photos. As always, click on the image for a closer look. Next time, photos of a completed book or two. Promise.
I’ve been steadily working on a new edition of 12 little books. Fun stuff! And I can’t believe I mailed off 7 of them today without taking photos. Hmph. When I know they’ve arrived safely, I’ll post some in-process photos and as well as photos of the books I have here. In the meanwhile, a couple of details …
Isn’t this simply luscious? One of the frustrations/pleasures of working on an edition is seeing scraps like this come — and go. This sheets appeared when I pasted up scraps of painted Arches Text Wove onto another scrap of ATW to make closure loops for the wrappers. It was so beautiful on its own, I hated to cut it down into 1/4″-inch strips.
One day I’m going to finish the paper mosaics I’ve begun with all the irresistibly beautiful little bits of paper that I can never bear to throw out.
Even though I’m not going to show the book today, I will show one in-process photo. The structure is a flat-piano-hinge binding from Keith Smith’s, Non-Adhesive Binding. Threading a flat strip of Canson Mi-Tientes through the folded tabs was driving me bonkers, until I located this loop turner in my sewing supplies. I finally worked out a method of guiding the strip through the loops with the aid of the loop turner and a micro-spatula. The structure requires that this be done three times for each book, so I’ve gotten pretty good at it by now.
In case you’re wondering about the scale … the book is 3 inches tall and 1-5/8″ wide. (See how I mostly got rid of the lime green cutting mat that clashed with this little book? But you can still see the 1-inch grid in places.)
Madly working on a series of exchange books to be mailed by Friday. Why oh why is it always a push? But I know why. For the past 3 months, no idea has been good enough … until it had to be.
I’m finishing up a small set of manuscript books begun last year. I still had a couple of text blocks to do, and this sheet was done to get back into the space of these letters. Although the book lettering is being done with Speedball B series nibs, I used a brush pen for this sheet, and it was so enjoyable I rather wish I had done the series with a brush.
Today’s mail brought such a treat! It’s a catalogue raisonne of Julie Chen’s artist books. Just in case you don’t know what that is (I didn’t), it’s “a descriptive catalog of works of art with explanations and scholarly comments”. I have always admired Julie Chen’s work, and was so excited to learn about this publication.
Reading the Object: Three Decades of Books by Julie Chen
Published by the Mills College Center for the Book and Flying Fish Press, 2016
Catalogue raisonne of Julie Chen and Flying Fish Press. With essays by Kathleen Walkup and Sandra Kroupa, and commentary by Julie Chen. Designed by Julie Chen. Printed offset. ISBN 978-0-9648938-9-4. $30.
It can be ordered by clicking on the link on this Mill College web page.
The publication of the book relates to two exhibits of her work, one that was held this spring entitled “Reading the Object: A Decade (or so) of Books by Julie Chen”, and one coming up February-June 2017 at the University of Washington entitled “Every Memoment of a Book: Three Decades of Work by Julie Chen”. Some of the text was written by Julie herself, but there are also essays written by others about Julie’s work. And, of course, the pictures of the works themselves. As Sandra Kroupa writes, “While her genius for structures is universally acknowledged, Chen’s facility with text is what holds students’ attention. Her structures are the initial draw, but her insightful, intense texts seal the deal.” Yes.
We just returned from a visit to Iceland yesterday, so a full and careful reading is not in the cards for today or tomorrow. But it’s something to look forward to!
I was so privileged to attend the annual calligraphy conference, held this year in Swannonoa, NC, and named “A Show of Hands”. The week-long class I attended was team-taught by Rosie Kelly and Pamela Paulsrud, and it was WONDERFUL. They called it “Legerdemain,” meaning “sleight of hand”. We painted, made marks with all kinds of tools and paints, listened to poetry and Pam’s flute, talked about the creative process, and made books. I made two finished, or mostly finished, books. The first was a book with a favorite poem that you’ve seen here before. Then I decided I was putting too much on myself to try to do finished work. So my second book was more of a sampler of all the techniques we tried, and the text consisted mostly of notes on the process. Here are some images of that book.