I’ve been busy on the book commission, but took a few minutes to do my envelope for the year-long 2011 Envelope Exchange. I’ve been spending a lot of time lately with my Epson wide-format new inkjet printer, and I carried that experimentation over to this envelope. (As usual, click on the image to see it at a larger size.)
These are the layers on this #10 Strathmore Laid envelope:
Inkjet-print of a scan of some painting on Arches Text Wove.
A layer of Utrecht Workable Spray Fixative.
The name in Dr. Martin’s Iridescent calligraphy gold ink, shaded in FW Antelope acrylic ink(#2½ Mitchell nib and Principality pointed nib).
The address in the same FW Antelope, with #4 Mitchell nib.
Flowers with #3½ and #4 nibs.
I chose the stamp after I did the envelope. I’m surprised at how well they go together.
With all the chaos here, I had gotten behind in my exchange envelope commitments. Not anymore. I’m all caught up … until July 1. In keeping with these hard economic times, the theme for these is Frugality. Recycled envelopes, a dried-up Zig calligraphy marker, and a re-purposed Zig Millennium mark cut to a chisel edge with an X-acto blade.
The envelopes frame a bit of doodling. I don’t know what to do with it, so it just sits on the table reproaching me for my indecisiveness.
As usual, click on the image to get a closer look.
Here are the 4 envelopes I mailed yesterday for the Black Tie Exchange over at the Yahoo group, Calligraphy Exchange. The rules: Use a black envelope and either white or gold “ink” address in calligraphy.
I made my envelopes out of Strathmore Artagain black paper — comes in a 9″ x 12″ pad. The two insert square are on Arches cover black, I think. I used my favorite gold ink — Dr. Martin’s Copper Plate Gold.
Names and addresses blurred to protect the innocent.
Here’s a piece I finished yesterday to enter in a competition. I haven’t decided whether I like it or not, and I that’s the problem with getting things done at the last minute, isn’t it? Of course, by yesterday, my only choices were finishing it at the last minute or not getting it finished at all … It’s a lot less structured and gridded than my usual work. I kind of like that about it. I think. I’m currently rather taken with the pen-made flowers, an extension of a workshop I took with Alice at Camp Cheerio in 1998.
Yikes! I’m two weeks overdue on this exchange. Does anybody else get August and September dates mixed up when they’re in numerical-month — 08 and 09 — form? Anyway, this morning I got on the stick and got them done. They’re going in the mail today.
Here’s the way these started. I had: 1) A quote is by Auerbach: “Music washes away from the soul the dust of everyday life.” 2) A scrap piece of paper with a cut-out square in the middle — from the Concertina Carnival book I constructed the other day. 3) Some leftover square invitation envelopes from a wedding job. 4) Some scraps of watercolor paper which I cut 6.75″ square to fit the envelopes.
Just to get started, I wrote out the quote on this scrap of paper. I put the word “Music” above the cut-out square, realized I wasn’t going to have room at the top for the rest of the quote and so wrote the rest of the quote below the square. And voila! I had my design.
I masked off a 1.75″ square in middle of my scraps of watercolor paper, cut an abstract violin/viola/guitar shape from a couple of pieces of removable Scotch tape, rummaged around in my drawer for a palette with some gouache colors already on them … and had some fun. In the process, I got out a gold gel pen, the luscious Sennelier oil pastels I bought so long ago and some cosmetic sponges for rubbing the oil pastels over the gouaches.
The envelopes are supposed to have a teaser on the outside as to the quote inside. I painted my spattering brush with brown for dust, but I guess the blue that was dried on the brush had more effect than the brown.
Here’s the decorative bit of my submission for the Hearty Envelope Exchange at the Calligraphy Exchange list on Yahoo. Done with liquid frisket and watercolor on an extra envelope left over from a wedding job. The linework is taken from standard figurative motifs in medieval illuminations.
I’m a little late mailing my pieces for an exchange — 3 days, to be exact. Trouble is, I don’t have a whole lot of confidence in my pointed pen skills. And I can’t seem to get through a 5″x7″ piece of paper without running my hand through some wet ink somehow, or pulling a little bit of ink out with the black eraser. Lovely thing, that Factis black eraser!