Graceful Envelope 2007

Anybody get their envelope mailed today? I was at the post office at 5:59pm, mailing mine. The postal worker was rather surly (maybe because there were 5 people behind me), and hand- canceled my envelope for me … twice. I can’t imagine why.

I’d post a picture of my submission here except that I finished it so late I didn’t even have time to take picture or scan it. I erased a few pencil guidelines at the stop light at the end of our road. I like parts of the envelope I did, but parts of may take it out of the running for Honorable Mention. We’ll see. The theme this year is “A Mailable Feast”. There were almost too many good possibilities.

Spring cleaning and sand mandalas

The Tibetan monks don’t have any monopoly on an understanding of time. I’ve watched with amazement when they spent days and days creating a sand mandala that was then poured into a nearby river. But anybody who engages in spring cleaning has a pretty good understanding of the transience of states of reality. I’ve spent the better part of 2 days cleaning out this pantry. It’s gorgeous now … and the fact that I say that gives you some inkling of the condition it was in when I began cleaning it. You just know it won’t look like that for more than 72 hours or so.

In case you were thinking this was going to be yet another non-calligraphy post … I did get to do a little calligraphy in the midst of spring cleaning:

Spring Haiku Exchange


I’m running a little late on the deadline for this exchange amongst members of the Calligraphy Exchange group at Yahoo. Rozanne, I’m mailing it today, and here’s a preview. Click on the image for a closer look. I was working on another piece yesterday, and decided to do a similar wash on another piece of paper for testing; I cut this best 5″ x 7″ rectangle out of the middle to use for the spring haiku piece. Gouache + glair + Leonardt Principality nib + a Mitchell #3.5 nib. The wash is a little darker than I’d like, while, conversely, the wash for the piece I did yesterday always seemed a little too light, or at least too shallow or something. I’ll post that piece in a bit.

The Fine Press Designer’s Dilemma

The February issue (PDF link) of the Caxton Club’s journal Caxtonian features an intriguing article by Michael Russem, of Kat Ran Press, entitled “The Failure of Fine Printing.” He tells of the book edition he so carefully crafted, following, he thought, the best principles of book design — only to have his most avid collector tell him: I don’t buy your books to read.

This quotation encapsulates the main theme of the article:

Because we are so accustomed to mass market productions, the physical elements and processes traditionally chosen for fine press books—handmade paper, letterpress, and hand bindings—are foreign to the average reader and thus call too much attention to themselves, over stimulating the senses and spirit. It is impossible to handle them without relishing in the deliciousness of the materials — though all the while feeling panic over the possibility of damaging these precious items.

He concludes that fine binding is an impediment to the reading of the text, making them an example of bad design … while paperbacks, whose materials are so commonplace as to become invisible, function successfully as vehicles for the text.

I’m not doing the article justice; read it for yourself. And then go comment on the blog he set up for this purpose at http://failureoffineprinting.blogspot.com/

Happy New Year!

I’ve been skiing and I’ve been web redesigning. I’m about ready to start 2007, maybe a little late.

Check out my new website design at www.callibeth.com. I’m still working on it, but I’m very pleased with what I’ve got so far. (In case you want to compare “before” and “after”, the old site is still up at mywebpages.comcast.net/callibeth

New Year’s Resolution


I’ve been having trouble with a layout lately. I’ve struggled with it quite a bit, with a common result: my work area is spotless, and all my brushes and pens and palettes are washed. It’s a way of processing, when paper and pencil aren’t working.

The shocking thing was how many brushes and pens I had to wash. It was simply ridiculous.

So my New Year’s Resolution: Never shut the studio down each night without washing any dirty brushes and pens.

I’m also thinking of putting away some of my brushes and pens, so that I won’t be tempted to keep using clean brushes instead of washing the ones I have. I wonder how many tools most calligraphers keep “out” in their studios.