Looking back, I see that much of my daily lettering has been some form of bookhand, fairly small. Even writing small, there is plenty of opportunity for variation. But I’m going to go big for awhile, and see what happens.

Calligraphy & more — the studio of Beth Lee, Redmond, WA
Looking back, I see that much of my daily lettering has been some form of bookhand, fairly small. Even writing small, there is plenty of opportunity for variation. But I’m going to go big for awhile, and see what happens.
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