Centered, with a contemporary “monogram” and serif typography:
Centered, with a contemporary “monogram” and sans serif typography:
Centered, with centered wreath layout and serif typograph
Calligraphy & more — the studio of Beth Lee, Bozeman, MT
Centered, with a contemporary “monogram” and serif typography:
Centered, with a contemporary “monogram” and sans serif typography:
Centered, with centered wreath layout and serif typograph
… from awhile back. It’s a mix-up of turn-of-the-century monogram, ornamental penmanship, and hand-written block letters.
This summer at The Summit at Colorado Springs, I bought a set of Finetec gold watercolors, because everybody had been raving about them. As soon as I got home, I tested them out, on white paper and on black. This photograph doesn’t do them justice, even with an external flash and a diffuser. I’ll try a few more options, and maybe post a better photo later.
They are a new favorite for lettering, especially for broad-edge nibs.
Cycling through the Schmincke Calligraphy Gouache colors that make up the 6-color primary palette. Strathmore Drawing 400 paper, #5 Mitchell nib.
Some unfortunate flourishes here. I really lost my way at the end of line 8: I made the flourish and head down toward the waistline when I realized I hadn’t made the x-height portion of the “d”. Dive-bomb landing with no target. Oops. This is what happens when the mind wanders and the hand completely takes over.
After a great half-week with Ewan Clayton at The Summit, I’m back in my studio with daily lettering practice.