Collage

Collage is like the little girl with the curl in the middle of her forehead: “… when she was good, she was very, very good, but when she was bad, she was horrid.”

A collection of links to very, very good collage:

An excellent assortment of collages by Kurt Schwitters, Georges Braque, Mara Kurtz, Joseph Cornell, and more.

“Out of the Dark” by Kurt Schwitters

Kurt Schwitters at MOMA — in chronological progression.

Wangechi Mutu at the Saatchi Gallery. Striking and graphic.

Robert Nickle — images from the Art Institute 1979 exhibition and from the 1994 retrospective at University of Illinois. Low-key color schemes and other subtleties.

Georges Braque also uses low-key color schemes. This oil painting at MOMA seems to be a painting of a collage of text, whereas these three pieces are true collages. Oops, I see that the first and third of these four links don’t take you to the right images, and I can’t figure out how to get there. Just saying.

A word collage by Carlo Carra. Cool.

An awesome transition from collage to text art by Kurt Schwitters.

Glenys Mann, a fiber artist with great collage sense.

Jonathan Talbot — a few images from the now-defunct Orange County Arts Council, a few more of the Flamenco series, and a few more from the Patrin series.

Art 21 / Geometry of Design

I’ve been spending some time at PBS’s Art 21 website recently. It’s packed with information about contemporary art and artists, and excerpts from the 20-minute interviews shown on their PBS television series.

I’ve ordered the book associated with the first season.

Another interesting book I just got in the mail:
Geometry of Design: Studies in Proportion and Composition, by Kimberly Elam. It’s got a lot of compact information about the golden section and illustration as circles (which I’ve seen a lot) and squares (which I’ve seen less often), as well and some great overlays illustrating the underlying geometric design of various commercial artwork.

Miniature Writing

This luscious image of the earliest example of miniature Sumerian writing illustrates an interesting article entitled “A Minor History of Miniature Writing” at Cabinet. Cabinet is a quarterly magazine that looks so interesting I’ve just subscribed for a year to check it out.

This brings to three the total number of magazines I subscribe to; the other two are Letter Arts Review and Bound & Lettered.

Anybody got any magazine subscriptions they can’t live without?

Thanks to Notebookism for the link.

My light table, in all its usual chaos

A quick photo of my light table, still set up for the broad-edge calligraphy I was doing on some wedding invitations earlier this week.

The easel is lightweight and adjustable, and folds down so I can take it to classes and workshops. (The link is to a selection of similar easels at John Neal Bookseller.) On the easel is a piece of Plexiglas — bought at the local glass store — covered by a clear mat with 1/8″ grid printed in red on it. Every 5 years or so I replace this grid, and it’s always a struggle to find it. It’s made by C-Thru Ruler Company, and it’s Item No. 158. They also make other gridded mats, but that one’s the most useful to me. You can see the light from the fluorescent strip on the desk behind the easel; I bought that at the local hardware store.

Designers Toolbox — a useful resource

Despite the missing apostrophe, this very cool website provides all sorts of useful information for calligraphers and web designers alike:

  • standard sizes of envelopes, folders, CD covers, and postcards;
  • glossary of proofing marks;
  • a “lorem ipsum” generator — useful for web designers struggling with, oh, CSS, for instance;
  • legal documents which freelancers need, such non-compete agreements, copyright statements, and so on.

Be warned that the actual templates and legal document files require registration (online, that is, not the kind needed for 4-color separations — isn’t the English language a complicated thing?).

Graceful Envelope 2007

Anybody get their envelope mailed today? I was at the post office at 5:59pm, mailing mine. The postal worker was rather surly (maybe because there were 5 people behind me), and hand- canceled my envelope for me … twice. I can’t imagine why.

I’d post a picture of my submission here except that I finished it so late I didn’t even have time to take picture or scan it. I erased a few pencil guidelines at the stop light at the end of our road. I like parts of the envelope I did, but parts of may take it out of the running for Honorable Mention. We’ll see. The theme this year is “A Mailable Feast”. There were almost too many good possibilities.

Yippee!

I just got back from the opening of “Creative Tallahassee,” the juried art show I blogged about here. And guess what?? Second place! Yup. Second place, for the ABC book, as I tend to call it. I was very surprised. Life is good.

Now that I’m going back to school for a degree in art — did I mention that I originally frittered away my undergraduate education in accounting? — I’m swamped with work. Wedding invitations, commissions, certificates, more certificates, more wedding invitation addresses . . . the list goes on and on. Pretty soon I’m going to have to quit accepting at least some work. Not that I’m complaining.

Really, there’s simply nothing to complain about, except perhaps that there’s not time enough to do all the things I want to do. In a little over a week I’ll be playing the piano for a doctoral student’s ensemble recital, and accompanying a violin major for her spring jury. I like all the music: Loeffler’s Two Rhapsodies for oboe, viola and piano; Elgar’s violin sonata, and a violin arrangement of Debussy’s La Plus Que Lente. Much fun. And art school classes start on May 9. And we’re getting a puppy on Memorial Day weekend. And somewhere in there — hopefully before classes start — I need to finish the webmaster certification project which is my redesigned website. All things I’m looking forward to.

I feel like there are little champagne bubbles floating up from my head. And I only had water with dinner. Yes, life is very good.