BETH LEE

Calligrapher | Book Artist

Calligraphy class

Layout Variations

The layouts below show the variety that can be achieved using just the standard italic hand we've been studying. I have made changes in line leading (spacing), color, size, weight, tool, direction, and baseline shape. Below each image is a description of these decisions.

default
Default layout using the line spacing shown on the guideline sheets.

tighter line spacing
Tighter line spacing

even tighter line spacing
Even tighter line spacing

wider line spacing
Wider line spacing

contrast gold
Contrast in color, gold and black. Gold does not have the weight of black and so might be made larger and/or bolder to balance.

contrast red and black
Contrast in color, red and black. Red is the only color which rivals black in visual weight.

gold on black
Gold lettering on black background.

contrast in size
Contrast in size: first line is larger. Because the same pen was used to make all the lettering, the first line is lighter in weight than the succeeding lines. This contributes to a lack of contrast between the two.

contrast in size
Contrast in size, and contrast in position: different pens were used to make the two sizes, and since both were made at the same height in pen-widths, the weights of the letters are similar.

contrast in weight and tool
Contrast in weight and tool: the letter sizes are the same, but the weights are different because the tools are different.


Change in direction: all the lettering is the same size and made with the same tool.

contrast in weight, tool and size
Contrast in weight, tool and size.

wavy lines
Waving lines. The baselines are made first, and waistlines penciled in by eye. A curve could be used to make more accurate guidelines.